Sounds like something I want to read. From the Spectator by Douglas Murray (h/t Kathy Shaidle at Five Feet of Fury:
Because our political class has transferred to teachers the whole obligation to integrate new immigrant communities… People find themselves with classrooms where nobody can speak English, with customs they can’t relate to and with those problems that Honeyford had with discipline and outright antagonism. That was in Bradford, and of course when I read about the Oxford grooming cases, I just had this vision of a story that would bring these things together — the dreadful situation of the teacher in a modern city, and also the situation of young girls who are vulnerable because their families have not worked out and the various problems that have arisen through secularisation and so on. And so I put together a story out of these things.’
Readers of his columns and works of philosophy may wonder why he chose to tackle this through the medium of the novel. ‘I’ve always taken the view that works of art are not just things that we enjoy. They can convey truths about the world more vividly and to greater effect than ordinary philosophical prose can because they don’t just deal in ideas but show the emotional reality of them. And I think that our society has gone terribly wrong because people have not been confronting the great issues — the loss of the Christian faith, the inability to confront Islam, the loss of the sense of the sacredness of the sexual relation, and the exposure in particular of young women both to external predation and to this moral decay.